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Emily Bernard on the Yale Press Log – The friendships that formed the conversations of the Harlem Renaissance and the complex ideas of the relationships between art and race were the vein of black literary life of the early twentieth century. As editor of the volume of letters, Remember Me to Harlem: The Correspondence of Langston Hughes and Carl Van Vechten, Emily Bernard now writes on Carl Van Vechten, his notoriety as a white man with a passion for black people and culture, and his varied, interconnected role as advocate and patron for black art in Carl Van Vechten and the Harlem Renaissance: A Portrait in Black and White. In this first “Eminent Biography” installment for the Yale Press Log, “Hands Across Time,” Bernard traces her own relationship with Van Vechten and how his private relationships have transformed experiences of race, literary and historical alike.

 

 

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